In 2025, Japanese architect Shigeru Ban was awarded the American Prize for Architecture, a major international honor recognizing architects whose work has made a lasting contribution to the built environment. Unlike many architectural awards that focus primarily on iconic buildings or formal innovation, this recognition highlights something deeper: architecture as a humanitarian service.
Shigeru Ban’s selection reinforces a growing global consensus that architecture is not only about form, prestige, or luxury, but also about human dignity, responsibility, and social impact.
The American Prize for Architecture is awarded by The Chicago Athenaeum: Museum of Architecture and Design, in collaboration with the European Centre for Architecture Art Design and Urban Studies. It honors architects whose work demonstrates excellence, leadership, and cultural relevance, particularly those who advance architecture’s role in addressing real-world challenges.
In awarding Shigeru Ban, the jury emphasized his longstanding commitment to humanitarian design, sustainability, and ethical practice—values that extend beyond any single building.
Shigeru Ban is internationally known for challenging conventional assumptions about architectural materials and purpose. While many architects are celebrated for steel, concrete, or glass monuments, Ban is equally famous for building with paper tubes, recycled cardboard, timber, and locally available materials.
He is not an architect who waits for commissions alone. Instead, he is one who consistently asks a difficult question:
This question has shaped his career for more than three decades.
What sets Shigeru Ban apart—and ultimately led to his 2025 American Prize—is that humanitarian work is not a side project for him. It is central to his architectural identity.
In 1995, following the Kobe earthquake in Japan, Ban founded the Voluntary Architects’ Network (VAN). Through VAN, he and other architects design and construct temporary shelters, community buildings, and emergency housing for people displaced by disasters.
These projects are not symbolic gestures. They are functional, dignified, and quickly deployable structures, often built with local labor and minimal cost.
Some of Shigeru Ban’s most influential works include:
These projects challenge the idea that emergency architecture must be temporary, ugly, or purely utilitarian.
Shigeru Ban received the Pritzker Architecture Prize in 2014, often described as the “Nobel Prize of Architecture.” However, the 2025 American Prize for Architecture is particularly significant because it explicitly recognizes humanitarian impact, not just architectural excellence.
This award sends a strong message to the global architectural community:
At a time when climate change, urban displacement, and natural disasters are increasing worldwide, Ban’s work offers a model for ethical architectural practice.
Shigeru Ban’s recognition offers important lessons for architects, students, and built-environment professionals:
For young architects, Ban’s career demonstrates that it is possible to achieve global recognition without abandoning moral purpose.
Shigeru Ban’s work resonates beyond professional circles. It influences urban policy, disaster response planning, sustainability discourse, and humanitarian aid strategies. His approach encourages collaboration between architects, governments, NGOs, and communities.
The 2025 American Prize for Architecture therefore recognizes not only an individual architect, but a vision of architecture as public service.
Shigeru Ban’s award is not just a celebration of past achievements—it is a call to action for the future of architecture. By honoring his humanitarian-focused design work, the American Prize for Architecture reinforces the idea that the true value of architecture lies in its ability to improve lives.
As global challenges intensify, Ban’s philosophy offers a clear direction:
build responsibly, build ethically, and build for humanity.